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Capitoli, ordinationi et statuti da osservarsi da quelle persone che esercitano la nobilissima arte della seta in Catanzaro. Catanzaro, 1959.

Li sontuosissimi apparecchi trionfi e feste fatti nelle nozze della Gran Duchessa di Fiorenza con il nome e numero dei Duchi, Principi, Marchesi, Baroni, e altri gran personaggi: postovi il modo del vestire, maniere e livree. Florence and Ferrara: Vittorio Baldini, 1589.

- 1990. Records of British Business and Industry 1760-1914: Textiles and Leather. London, H.M.S.O.

Produced by the Royal Commission on Historical Manuscripts.

Acton, B. 1987. ‘Good breeding and clean linen’, Bulletin of the Costume Society of Scotland, XXVIII, 5-18.

Discusses the cleaning of garments in the eighteenth century, with emphasis on evidence from Scottish inventories.

Adams, S. 2005. Purchasers from the Parsonage: observations on Bath dress and reactive shopping by the Penrose family, 1766-1767, Costume, 39, 79-90.

Extracts from Letters From Bath by the Reverend John Penrose, 1766-1767 (eds. Brigitte Mitchell and Hubert Penrose) on the subject of dress. The letters in the book were written to the six children left at home in Cornwall while the Reverend Penrose went to Bath to have his gout treated. The letters record the reaction of an educated, simple, and forthright man to the diversions, absurdities, and materialism of Bath. Given that the appearance of a clergyman, and of his family, was a matter of importance, and given the numerous Cornish visitors to Bath, it appears that Mrs Penrose decided that the reverend's clothes, and even her own, were perhaps not quite sufficiently "decent." Therefore, sensible and economical shopping was undertaken to reestablish an appearance suitable for a clergyman's family in comparison with those fashionable "Others" so widespread in Bath.

Anthony, I. E. 1980. Clothing given to a servant of the late sixteenth century in Wales, Costume, 14, 32-40.

Transcript of a list of clothing c.1580-1610.

Arnold, J., ed. 1980. 'Lost from Her Majesties back': items of clothing and jewels lost or given away by Queen Elizabeth I between 1561-1585, entered in one of the day books kept for the records of the Wardrobe of Robes. Costume Society Extra Series, Costume Society.

Items of clothing and jewels lost or given away by Queen Elizabeth I between 1561 and 1585, entered in one of the day books kept for the records of the Wardrobe of Robes. Edited from the Duchess of Norfolk Deeds MS C/115/L2/6697 in the Public Record Office with an introduction by Janet Arnold

Arnold, J., ed. 1988. Queen Elizabeth's Wardrobe Unlock'd: the Inventories of the Wardrobe of Robes prepared in July 1600. Leeds, Maney.

This copiously annotated work is illustrated with photographs of portraits, miniatures, tomb sculptures, engravings, woven textiles and embroideries. Two indexes are provided, the first of paintings, persons, places, and events, while the second, partly a glossary, enables the reader to quickly trace information on fashionable dress and accessories.

Avery, T. 1997. The furnishings of Tattershall Castle, c.1450-1550: a display of wealth and power, Apollo, 145, 37-39.

Part of a special section on National Trust historic houses and collections in England and Northern Ireland. Avery discusses the furnishing of Tattershall Castle, Lincolnshire, England, between ca. 1450 and 1550. She describes the contents of a 16th-century inventory of the castle's textiles, which include hangings depicting religious and political subjects and rare carpets. She compares the Tattershall inventory with that of Caister Castle, Suffolk, to determine the distribution of hangings and bedding among large communal rooms and the smaller rooms of the household members, suggesting that the large amount of mattresses and bolsters listed at Tattershall were used in the keep's 20 small rooms and in adjacent buildings.

Bacci, Francesco. 1998. ‘Cosimo III e gli arazzi di Fiandra: parte II’. In Giornale di bordo: di storia, letteratura ed arte, III, n.2, February, pp. 56-63.

This article contains the correspondence between Cosimo, his secretary and his envoy in Flanders, Giovanni Stefano Spinola, regarding the commissioning of fifteen tapestries.

Ballardini, G. 1906. ‘Leggi suntuarie faentine’. In Romagna, III, fasc.V.

Beltrami, Luca. 1903. La guardaroba di Lucrezia Borgia. Milan.

Berhamon, R. 1989. ‘The restraint of excessive apparel: England 1337-1604’, Dress, 15, 27-37.

A summary of the sumptuary legislation passed by the English parliament, and the Proclamations on Apparel which were passed by the Council.

Bertelli, Ferdinando. 1563. Omnium fere gentium nostrae aetatis habitus nunquam ante hoc aediti. Venice.
A repertory of costume containing etchings from drawings by Enea Vico.

Berti, L. ‘I capitoli ‘De vestibus mulierum’ del 1460, ovvero ‘status’ personale e distinzioni sociali nell’Arezzo di metà Quattrocento’. In L. Borgia, F. De Luca, P. Viti e R.M.Zaccaria (eds.). Studi in onore di A.D’Addario, Lecce 1995, vol. IV, pp.1171-214.

Bonetti, Luca. 1594. Bando, o moderazione sopra li sfoggi, e vestire nella città di Siena, e suo stato. Siena.

Buck, A. 1990. ‘The clothes of Thomasine Petre 1555-1559’, Costume, 24, 15-33.

Uses evidence provided by the account books of the Petre family to examine what was worn by a daughter, from ages twelve to sixteen, of the rising gentry in the mid-sixteenth century. An appendix gives transcriptions from the accounts. The article also includes a glossary.

Buck, A. 1991. ‘Buying clothes in Bedfordshire: customers and tradesmen, 1700-1800’, Textile History, 22(2), 211-237.

Includes many extracts from inventories and accounts, and an appendix transcribing a probate inventory of 1720.

Buck, A. 1992. ‘Pamela’s clothes’, Costume, 26, 21-31.

Dicusses the evidence for eighteenth-century dress in Samuel Richardson’s novel of 1740, Pamela or Virtue Rewarded.

Buck, A. 1993. ‘Mantua makers and milliners: women making and selling clothes in eighteenth century Bedfordshire’, Bedfordshire Historical Record Society, 72, 142-155.

Based on records such as parish registers and wills, looking particularly at the contribution of women.

Buck, A. 2000. ‘Clothing and textiles in Bedfordshire inventories, 1617-1620’, Costume, 34, 25-38.

The writer discusses clothing and textiles mentioned in the volume of 166 probate inventories of 1617-20 published by the Bedfordshire Historical Record Society in Bedfordshire, England, in 1938. The volume was a pioneer work in the detailed study of probate inventories, particularly those of people of lesser rank - husbandmen, yeomen, artisans, and laborers. The inventories show textiles and clothes in people’s homes, along with other household possessions, often recorded room by room as they were when the owner died; those completed with details of clothing bring more clearly to the mind’s eye the men and women who were living and working in Bedfordshire in the early 17th century. The writer discusses the range of clothes recorded in the inventories, including items of men’s and women’s clothing, details of fabric and color, examples of household linen, evidence for spinning and weaving within such households, and evidence for the making and buying of clothes at this time.

Buck, A. and Matthews, H. 1984. Pocket guides to fashion: ladies' pocket books published in England 1760-1830, Costume, 18, 35-58.

Bunt, C. G. E. and Rose, E. A. 1957. Two Centuries of English Chintz 1750-1950, as exemplified by the productions of Stead, McAlpin & Co. Leigh-on-Sea, F Lewis Publishers.

Bussagli, Mario. 1986. La seta in Italia. Rome: Editalia.
Includes the anonymous Trattato dell’arte della seta a Firenze.

Byrne, M. S.-C., ed. 1949. The Elizabethan Home discovered in two dialogues, by Claudius Hollyband and Peter Erondell. London, Methuen.

Conversation manuals by two Huguenot refugees who taught French in London. Printed as The French Schoole Maister (1573, 1582) and The FrenchGarden (1605). Includes a dialogue in a seamstress's shop.

Campbell, M. 2002-3. Textile cargoes from the East: 1670-1740, Text, 30, 29-34.

Cardon, D. 1998. ‘Textile research: an unsuspected mine of information on some eighteenth-century European textile products and colour fashions around the world’, Textile History, 29(1), 93-102.

Discusses the survival of textile swatches (often with accompanying documentary evidence) in Languedocian archives. These swatches include samples of English textiles.

Campori, G. 1870. Raccolte di cataloghi ed inventari inediti. Modena.
Includes documentation on jewellery and other objects.

Cantini Guidotti, Gabriella. 1984. ‘“Mezze ambrette”, “mantelline” e “giardiniere”. Il lessico della moda nel primo Settecento fiorentino’. In L.Formigari, ed. Teorie e pratiche linguistiche nell’Italia del Settecento. Bologna: Il Mulino.

Carena, G. 1859. Prontuario di vocaboli attenenti a parecchie arti, ed alcuni mestieri a cose domestiche e altre di uso comune, vol. I. Turin: Stamperia Reale.

Cella, Antonio. 1591. Tropotipo, cio è a dire norma de costumi. Dialogo... Brescia: P. Turlini.

Cellini, Benvenuto. 1996. La Vita. L. Bellotto, ed. Parma: Fondazione Pietro Bembo.

Chapman, S. 1973. ‘Industrial capital before the Industrial Revolution: an analysis of the assets of a thousand textile entrepreneurs c.1730-1750’. In: N. B. Harte and K. G. Ponting. eds. Textile History and Economic History: Essays in Honour of Miss Julia de Lacy Mann, Manchester, Manchester University Press.

Chappell, D. 2008. Sir William Heathcote's livery, Costume, 42, 66-87.

Cipolla, Carlo. 1886. ‘Gli incunaboli dell’Arte della Seta a Verona’. In Miscellanea, vol. IV. Venice: Reale Deputazione di Storia Patria.

Clark, G. 1994. ‘Infant clothing in the eighteenth century: a new insight’, Costume, 28, 47-59.

Considers the evidence provided by the records of infants who had been sent by the Foundling Hospital to wet nurses in Berkshire between 1741 and 1760. The evidence comprises clothing lists and fabric samples. Extracts from the clothing lists are included in this article.

Clarke, B. 2009. ‘Clothing the family of an MP in the 1690s: an analysis of the Day Book of Edward Clarke of Chipley, Somerset’, Costume, 43, 38-54.

An analysis of the Day Book 1692-1703 of Edward Clarke of Chipley, Somerset (1650-1710), MP for Taunton, reveals evidence of his expenses on clothes for his children. He also describes where the family shopped and who did the shopping, what materials were used and what they cost, who made the clothes and whether clothes were refurbished. The article uses the correspondence of Edward and his wife Mary to show how fashion and clothes were an enduring interest and subject of discussion in both town and country.

Clatworthy, L. 2009. ‘The quintessential Englishman? Henry Temple’s town and country dress’, Costume, 43, 55-65.

This article examines some of the purchases of personal clothing by Henry Temple, first Viscount Palmerston (1676-1757) recorded in his surviving account books, and goes on to discuss whether he could be said to have had separate town and country wardrobes. A version of this paper was presented at the Costume Society Symposium: ‘Town and Country Style’ in 2007 and is based on the author’s research for a doctoral thesis on the subject of Henry Temple’s personal papers at the Broadlands Estate.

Cliff, K. 2001. Mr Lock, hatter to the ladies, 1783-1805, Costume, 59-65.

A brief survey of hats ordered by lady customers of James Lock's hatmaking business in London. A number of surviving ledgers covering the period between 1783 and 1805 provide a picture of the different ways in which ladies "shopped" at Lock's and the way in which families remained as loyal customers. A brief discussion of hat types produced by the business is followed by a list of ladies' hat orders.

Collins, A. J. 1955. Jewels and Plate of Queen Elizabeth I: the Inventory of 1574. London, British Museum.

Conti, Carlo. 1595. Nuova pragmatica del vestire, et habiti de gli huomini et donne della città di Perugia et suo contado. Perugia: Pietro Iacomo Petrucci.

Cooke, A. 2009. ‘The Scottish cotton masters, 1780-1914’, Textile History, 40(1), 29-50.

The Glasgow ‘Tobacco Lords’ were the subject of a classic study, but there has been no overall survey of their successors, the Scottish cotton masters. This article draws on a rich and surprisingly underused source, the wills and probate inventories of Scottish cotton merchants and manufacturers, to give a fuller picture of a group, which played a key role in Scotland’s early industrialisation. It also casts light on the early decline of the cotton industry in Scotland by demonstrating how, as profits declined, the cotton masters, who had always had diverse business interests, began to move into more lucrative areas of investment, such as coal mining, iron manufacturing, railways, shipping and overseas trade.

Croce, Giulio Cesare. 1608. Livrea nobilissima del Croce nell’occasione delle nozze del Gran Principe di Toscana. Bologna: Bartolomeo Cocchi.

Cumming, V. 1978. The trousseau of Princess Elizabeth Stuart. In: J. Bird, H. Chapman and J. Clark, eds. Collectanea Londiniensia: Studies in London archaeology and history presented to Ralph Merrifield, London, London and Middlesex Archaeological Society, 315-328.

Extracts from the Wardrobe Accounts for the trousseau of James I's daughter, Elizabeth of Bohemia, who was married in 1613.

Da Sera, Domenico. 1543. Opera nova composta per Domenico da Sera detto il Franciosino: dove si insegna a tutte le nobili e leggiadre giovanette di lavorare di punti: Cusire: Recamare, e far tutte quelle belle opere: che si appartengono alle virtuose fanciulle: e quai si dilettano di far con le sue mani alcuna gentilezza: e anchora molto utile a gli tessadri: che sogliono lavorare di seta. Venice.

D’Avanzo, Pietro. 1981. Regole per la mecanica del telaio da seta. 2 vols. Ileana Chiappini di Sorio, ed. Venice: Corbo e Fiore.
The facsimile of the manuscript by Pietro d’Avanzo, written in Venice in 1753.

Davanzo Poli, Doretta. 1984. I mestieri della moda a Venezia nei secoli XIII-XVIII. Documenti. Venice: Edizione del Gazzettino.

Devitt, C. 2007. 'To Cap it All': The Waterford Cap of Maintenance, Costume, 41, 11-25.

The article introduces the cap in a letter dated the 30 April 1536, sent to the mayor and inhabitants of the City of Waterford by King Henry VIII. It traces the history of caps of maintenance in England prior to that and points to its apparent uniqueness being officially styled as a cap of maintenance in a royal letter for use in mayoral ceremonial.

It also introduces William Wyse the bearer of the cap; educated at court and later Mayor of Waterford. It discusses Wyse and Waterford's loyalty during the Geraldine rebellion, how the cap was a token of the king's recognition of Waterford, and grants of land and a knighthood to Wyse. A record of the history and use of the cap is made, comparing it with contemporary royal caps of maintenance and caps/hats of fashion. Its assembly, materials and decoration are recorded and discussed.

Dolce, Ludovico. 1565.  Dialogo di M. Ludovico Dolce nel quale si ragiona della qualità diversità e proprietà dei colori. Venice.

Dorini, Umberto, ed. 1934. Statuti dell’arte di Por Santa Maria del tempo della Repubblica. Florence.



Ehrman, E. 2006. Dressing well in old age: the clothing accounts of Martha Dodson, 1746-1765, Costume, 40, 28-37.

A study of the clothing accounts of Martha Dodson, a wealthy widow of the gentry class in 18th-century England. Dodson's household accounts from June 1746, when she was 62 years of age, and June 25, 1765, three months before her death at 81 years of age, show her purchases of fabric and clothing, which were mostly made in London; her informal and undress wear; her outdoor garments; her stays and shoes; and the alteration, repair, and upkeep of her clothes. Studied in conjunction with the accounts of other contemporary gentry families, they shed light on the choice of goods available, consumer preference, and the balance of new purchases with the alteration and repair of existing items.

Fawcett, T. 1991. ‘A case of distance shopping in 1763’, Costume, 25, 18-20.

Short article concerned with two letters in the collection of Bath Public Library which provide evidence of the practice of ‘shopping by proxy’. Both letters are transcribed in full.

Ferrari, Daniela. 1999. ‘L’inventario dei beni Gonzaga (1540-1542)’. In Quaderni di Palazzo Te, n.6.

Filetti, M. ed. 1979. Atti del convegno nazionale dei lessici tecnici delle arti e dei mestieri. Pisa: Scuola Normale Superiore.

Fioravanti, Leonardo. 1572. Dello specchio di scientia universale, dell’Eccell. Dottore, et Cavalier M. Leonardo Fioravanti, Bolognese, Libri tre. Nel primo de’quali, si tratta di tutte l’arti liberali, et mecanice, et si mostrano tutti i secreti più importanti, che sono in esse. Nel secondo si tratta di diverse scientie, et di molte belle contemplationi de Filosofi antichi. Nel terzo si contengono alcune invenzioni notabili, utilissime, et necessarie da sapersi. Venice.

In the 1679 edition, the first book discusses the art of weaving, then the art of the tailor, then that of wool, of silk, of the goldmaker, of the shoemaker, of the maker of gilt leather, of the perfumer and of the dyer.

Gargiolli, G. 1868. L’arte della seta a Firenze. Trattato del secolo XV. Florence.

Garzoni, Tommaso. 1587. La piazza universale di tutte le professioni del mondo. Venice: Giovambattista Somasco.

Gavarin Vincentino, Francesco. 1548. Tariffa di mercanti, di saper quanto importa ogni quantità di seta da Onze una sino a Lire mille, cominciando da Lire sei la Lira, sino a Lire dodici soldi otto. Et può servire ad ogni altra sorte di mercantia, come chiaramente si può vedere. Venice.

Ghinassi, Giovanni. 1866. ‘Considerazioni di Giovanni Ghinassi sopra tre statuti suntuari inediti del secolo XVI per la città di Faenza’. In Atti e Memorie della R. Deputazione per le Provincie di Romagna, II, IV, pp. 167-177.

Godman, M. 1991. ‘A Georgian lady’s personal accounts’, Costume, 25, 21-24.

Includes transcription of payments made, many of which relate to dress and textiles.

Grevembroch, Giovanni. 1981. Gli abiti de’Veneziani di quasi ogni età con diligenza raccolti e dipinti nel secolo XVIII (1754-59). Venice: Filippi.

Grossi, L. 1988. ‘L’archivio dell’Arte dei Tessitori da Seta Cotta. Un complesso documentario sopravvissuto alle insidie del tempo’. In Il Carrobbio, 14, pp. 197-207.

Harte, N. B. 1991. ‘The economics of clothing in the late seventeenth century’, Textile History, 22(2), 227-296.

Takes as a starting point for discussion a notebook (the ‘Burns Journal’ or ‘G.K. No. 51’) of Gregory King (1648-1712). The article includes extracts from a range of King’s writings, and an appendix: Gregory King’s ‘Annual Consumption of Apparell, 1688’ taken from the ‘Burns Journal’.

Hayden, P. 1988. Records of clothing expenditure for the years 1746-79 kept by Elizabeth Jervis of Meaford in Staffordshire, Costume, 22.

Hayward, J. 1986. The Arnold Lulls book of jewels and the court jewellers of Queen Anne of Denmark, Archaeologia, 108, 227-237.

Hayward, M. 2004. The 1542 Inventory of Whitehall: the Palace and its Keeper. London, Illuminata Publishers for the Society of Antiquaries of London.

Hayward, M. 2005. Gift giving at the court of Henry VIII: an analysis of the 1539 New Year's gift roll, Antiquaries Journal, 85, 125-175.

Hayward, M., ed. 2007. Dress at the Court of King Henry VIII. Leeds, Maney.

Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the King and his immediate family, the royal household and  the broader court circle. Henry VIII's wardrobe is set in context by a study of Henry VII's clothes, court and household.

Key areas for consideration include the King's personal wardrobe, how Henry VIII's queens used their clothes to define their status, the textiles provided for the pattern of royal coronations, marriages and funerals and the role of the great wardrobe, wardrobe of the robes and laundry. In addition there is information on the cut and construction of garments, materials and colours, dress given as gifts, the function of livery and the hierarchy of dress within the royal household, and the network of craftsmen working for the court. The text is accompanied by full transcripts of James Worsley's wardrobe books of 1516 and 1521 which provide a brief glimpse of the King's clothes.

Hayward, M. and Kramer, E. eds. 2007. Textiles and Text: Re-Establishing the Links between Archival and Object-Based Research. Postprints of Third Annual Conference of AHRC Research Centre for Textile Conservation and Textile Studies, 2005. London, Archetype.

Heal, A. 1988. Sign Boards of Old London Shops, Portman Books, Batsford.

Includes several hundred illustrations. Shows the types of signs used within the dress and textile trades, and is an extremely valuable guide to London shops from 1650 to 1800.

Hogarth, S. D. and Webb, C. C. 1994. ‘The Account Book of the York Company of Silkweavers, 1611-1700’, Yorkshire Archaeological Journal, LXVI, 191-213.

Hogarth, S. D. and Webb, C. C. 1995. ‘The Account Book of the York Company of Silkweavers, 1611-1700’, Yorkshire Archaeological Journal, LXVII, 163-173.

Huggett, J. 1999. Rural costume in Elizabethan Essex: a study based on the evidence from wills, Costume, 33, 74-88.

An examination of rural clothing in Essex using evidence from wills from the periods 1571-77 and 1597-1603. The wills provide a general picture of people with two or three sets of clothes, one of which was set aside for best or for Sundays. These were made of the same few inexpensive but hard-wearing fabrics, mainly russet and frieze, with leather and canvas as well for men; good-quality wools seem to have been nearly as little worn as silk. Information on colors is sketchy, but red petticoats and brownish colors of russet must have marked much of the female costume, and anyone who could afford it had black for their best clothes. Most clothing was apparently plain and unadorned, with the fashionable ruffs barely mentioned, and only the very richest people owned anything with any kind of trimming or wore any jewelry.

Hunt, A. 1996. Governance of the Consuming Passions. A History of Sumptuary Laws. Basingstoke, Macmillan.

Includes discussion of legislation governing dress and fashion in Britain.

Hunt, D. and Timmins, G. 2000. The Textile Industry 1750-1850: a Guide to Lancashire Records. Preston, Unversity of Central Lancashire.


Jackson, C. ed. 2004. Newbury Kendrick Workhouse Records, 1627-1641. Reading, Berkshire Record Society.

The account book of this town workhouse provides detailed records of a cloth-making enterprise.

Jefferson, L. 2002. Gifts given and fees paid to Garter King of Arms at installation ceremonies of the Order of the Garter during the sixteenth century, Costume, 36, 19-34`29.

Discussion of the manuscript evidence for gifts in kind made to Garter, particularly gowns and other items of clothing. Includes edited extracts from Paris, Bibliothèque National, MS anglais 107.

Jefferys, T. 1757 and 1772. A Collection of the Dresses of Different Nations, Ancient and Modern. London, Thomas Jefferys.

‘A collection of the dresses of different nations, ancient and modern. Particularly old English dresses. After the designs of Holbein, Vandyke, Hollar, and others. With an account of the authorities ... and some short historical remarks ... to which are added the habits of the principal characters on the English stage ...’

Johnson, K. K. P., Torntore, S. J. and Eicher, J. B., eds. 2003. Fashion Foundations: Early Writings on Fashion and Dress. Oxford, Berg.

Costume historians trace the birth of fashion back to the thirteenth century; writings on fashion date back as early as the sixteenth century when Michel de Montaigne pondered its origins, thereby setting in motion a chain of inquiry that has continued to intrigue writers for centuries. This text reprints classic fashion writings, all of which have had a profound if perhaps untrumpeted impact on our understanding and approach to modern day dress - from the psychology of clothes through to collective fashion trends. Why do we wear clothes? What do they say about our self-awareness and body image? How can we 'fashion' new identities through what we wear? Seminal fashion statements by Montaigne, William Hazlitt, Herbert Spencer, Thorstein B. Veblen, Adam Smith, Herbert Blumer, and Georg Simmel answer these questions and many more.

Jones, J., ed. 2002. Stratford-Upon-Avon Inventories, 1538-1699: Vol. 1 (1538-1625). Publications of the Dugdale Society, Dugdale Society in association with the Shakespeare Birthplace Trust.

Jones, J., ed. 2003. Stratford-Upon-Avon inventories, 1538-1699: Vol. 2 (1626-1699). Publications of the Dugdale Society, Dugdale Society in association with the Shakespeare Birthplace Trust.

Kidnie, M. J., ed. 2002. The Anatomie of Abuses, 1583, by Phillip Stubbes. Medieval and Renaissance Texts and Studies, Arizona Center for Medieval and Renaissance Studies in conjunction with Renaissance English Text Society.

English fashions discussed by a Puritan.

Kraatz, Anne. 1984. ‘The Inventory of a Venetian Lace Merchant in the Year 1671’. In Bulletin de Liaison du CIETA, 55-56, pp. 127-133.

Lambert, M. 2004-05. "Small presents confirm friendship": the "gifting" of clothes and textiles in England from the late seventeenth to the early eighteenth centuries, Text, 32, 24-32.

Lampugnani, Agostino. 1650. Della carrozza di ritorno: overo dell’esame del vestire, e costumi alla moda libri due di Gio. Tanso Mognalpina. Milan.

Levey, S. M. 2000. References to dress in the earliest account book of Bess of Hardwick, Costume, 34, 13-24.

Levey, S. M. and Thornton, P. 2001. Of Household Stuff: The 1601 Inventories of Bess of Hardwick. London, National Trust.

Llewellyn, S. 1995. ‘‘A List of ye Wardrobe’ 1749: the dress inventory of John Montagu, 2nd Duke of Montagu’, Costume, 29, 40-54.

Based on research for the author’s MA thesis, The Dress Inventories of the 2nd Duke and Duchess of Montagu, 1749 and 1747. Includes an Appendix comprising a transcription of ‘A List of Ye Wardrobe’.

Llewellyn, S. 1997. ‘‘Inventory of her Grace’s things’ 1747: the dress inventory of Mary Churchill, 2nd Duchess of Montagu’, Costume, 31, 49-67.

Based on research for the author’s MA thesis, The Dress Inventories of the 2nd Duke and Duchess of Montagu, 1749 and 1747. Includes a Select Glossary, also an Appendix comprising a transcription of the ‘Inventory of Her Grace’s Things - 20 June 1747’.

Lombardi, G. 1998. Galiane in rivolta. Una polemica umanistica sugli ornamenti femminili nella Viterbo del Quattrocento. Rome: Roma nel Rinascimento, 2 vols.
[should also go under ‘gender’]

Luzio, Alessandro. 1912. ‘La prammatica del Cardinale Ercole Gonzaga contro il lusso (1551)’. In Scritti varii di erudizione e di critica in onore di Rodolfo Renier. Turin.

Luzzato, Gino. 1907. ‘Notizie e documenti sulle arti della lana e della seta in Urbino’. In Le marche, 7, pp. 185-210.

MacGregor, A. ed. 1989. The Late King’s Goods: Collections, Possessions, and Patronage of Charles I in the light of the Commonwealth Sale Inventories. London, A McAlpine in association with Oxford University Press.

MacTaggart, P. and MacTaggart, A. 1980. The rich wearing apparel of Richard, 3rd Earl of Dorset, Costume, 14, 41-55.

Transcript of an inventory of 1619.

Maggino, Gabrielli. 1588. Dialoghi di M. Magino Hebreo Venetiano. Sopra l’utili sue inventioni circa la seta. Ne’quali anche si dimostrano in vaghe figure historiati tutti gl’essercitij, et instrumenti, che nell’Arte della Seta si ricercano. Rome.

Magno, Olao. 1565. Historia gentium septentrionalium (1555). Venice.
Olao Magno, Archbishop of Uppsala and resident in Rome, discusses furs and the fur trade.

Marchis, V. 1995. ‘Glossario, intorno alla seta’. In Quaderni di storia della tecnologia, 4.

Mariotti, C. 1900. Leggi e disposizioni suntuarie ascolane dal XIV al XVIII secolo. Ascoli Piceno.

Marschner, J. 1995. ‘Ceremonial dress in Great Britain to denote the degrees of nobility, from 16th century sources’. In: A. G. Cavagna and G. Butazzi. eds. Le Trama della Moda. Proceedings of an international symposium held at Urbino in 1992, Bulzoni Editore, 241-252.

Detailed discussion of four detached pages from a volume of manuscripts relating to heraldry which include the powdering of ermine for various degrees of nobility and illustrations of noble ladies in ceremonial dress.

Massa, Paola. 1970. ‘L’arte genovese della seta nella normativa del XV e del XVI secolo’, in Atti della società ligure di storia patria, vol. X (LXXXIV), fasc.1.

McNeil, P. ed. 2008. Fashion: Critical and Primary Sources. Oxford Berg.

Mee, S. 2004. The clothing of Margaret Parnell and Millicent Crayforde, 1569-1575, Costume, 38, 26-40.

The probate accounts of Edward Crayforde, gent. of Great Mongeham in Kent, England, offer information relating to the provision of clothing for his three orphaned daughters, Margaret, Parnell, and Millicent Crayforde. One of these accounts consists almost entirely of monies paid for their clothing for the period 1569 to 1575 until each girl, in turn, reached the age of 18. This detailed clothing information is of particular interest as it relates to a period covered by frequent sumptuary legislation, which aimed to stipulate the types of fabrics and trimmings that could be worn by members of each level of society. Mee examines in detail the clothing of the Crayforde girls in the order that they would have been dressed, as well as discussing hose, shoes, and other accessories. She concludes, among other things, that the type of outfits made for the three sisters, particularly Millicent, suggests that they had considerable pretensions to fashion.

Melis, Federigo. 1972. Documenti per la storia economica dei secoli XIII-XVI. Florence: Olschki.

Milanesi, Carlo, ed. 1857. I Trattati dell’oreficeria e della scultura di Benvenuto Cellini. Florence.

Milhous, J. and Hume, R. T. C. 2001. The tailor's shop at the Pantheon Opera, 1790-1792, Costume, 35, 24-36.

Documentary evidence allows for a reconstruction of the tailor's room and its operations at the Pantheon Opera, London, in the late 18th century. From February 1792, the theater held a season of opera seria, opera buffa, and ballet, for which scenery and costumes were made from scratch. The venture did not thrive, however, and the second season’s offerings were restricted to the cheaper endeavors of ballet and opera buffa. A fire destroyed the theatre in 1972, but many surviving costume-related documents, including a wardrobe book that records in detail the production of the theatre's costume shop from the first season and lists of dressers from both seasons, allow for a very full reconstruction of the process of making, developing, and caring for costumes at the theatre. Following an outline of the evidence for the physical spaces devoted to the tailor's shop, the writer discusses the staff involved in the creation of costumes and examines examples of the shop's work and its schedule.

Millar, O. ed. 1972. The Inventories and Valuations of the King’s Goods, 1649-1651. Volume of the Walpole Society, XLIII. London, Walpole Society.

Monnas, Lisa. 1991. ‘Some Venetian Silk Weaving Statutes from the Thirteenth to the Sixteenth Centuries’. In Bulletin du CIETA, 69.

Morse, H. K. 1934. Elizabethan Pagentry: A Pictorial Survey of Costume and its Commentators from 1560-1620. London & New York, Studio.

Monochrome plates and useful descriptions of costume from contemporary sources.

Muzzarelli, Maria Giuseppina ed. 2002. La legislazione suntuaria secoli XIII-XVI: Emilia Romagna. Rome: Ministero per i beni e le attività culturali; Direzione generale per gli archivi.

This work is divided up by city. There is an introduction to the sumptuary legislation of each major city in the region of Emilia Romagna followed by an index of the sources divided up by year, and then the sources themselves.

Nevinson, J. L. 1979. Illustrations of costume in the "Alba Amicorum", Archaeologia, CVI, 167-176.

Autograph albums of the sixteenth and seventeenth centuries with costume illustrations. Monochrome and colour plates.

Osler, D. 1987. Traditional British Quilts. London, Batsford.

The first section discusses the materials, construction, design and patterning of quilts. The second considers the historical and cultural contexts of quilting. An appendix is included: ‘Selected References to Quilts in Wills, Household Inventories, and Accounts (1400-1800)’.

Pasold, E. W. 1975. In search of William Lee, Textile History, 6, 7-17.

Indenture made between William Lee and George Brooke in 1600 about knitting frame invention.

Pilot, A. 1903. ‘Di alcune leggi suntuarie della Repubblica Veneta’. In Ateneo Veneto, XXVI, II, I, luglio-agosto.

Pinetti, A. 1917. Le limitazioni del lusso e dei consumi nelle leggi suntuarie bergamasche, secoli XIV-XVI. Bergamo.

Plummer, A., ed. 1934. The Witney Blanket Industry: the Records of the Witney Blanket Weavers. London, George Routledge and Sons.

Portioli, Attilio. 1884. Le corporazioni artiere e l’archivio della camera di commercio di Mantova. Mantua: Segna.

Priestley, U. 1991. ‘The marketing of Norwich stuffs, c.1660-1730’, Textile History, 22(2), 193-209.

Includes an appendix ‘Representative examples of weavers’ stock-in-trade, 1660-1730’, compiled from probate inventories.

Priestley, U. ed. 1992. The Letters of Philip Stannard, Norwich Textile Manufacturer (1751-1763). Norwich, Norfolk Record Society.

Rafaelli, F. 1879. Gli statuti suntuari dal secolo XV al XVIII per la città di Macerata. Memoria storica seguita da tre statuti non mai stampati. Fano.

Rasi, Piero. 1943. Statuta scholarum artis et laborantium lanae civitatis Feltri. Milan: A. Giuffrè.

Rippa Bonati, Maurizio and Finucci, Valeria eds. 2007. Mores Italiae: costumi e scene di vita del Rinascimento = Costume and Life in the Renaissance. Cittadella (Padova): Biblos.

This is a full-colour publication of the images contained in the French alba amicorum (album) Mores Italiae, which, as its name suggests, deals with the fashions of various Italian cities, and is dated to 1575. The original manuscript is in Yale University, Beinecke Rare Book and Manuscript Library (MS 457). All texts are provided in both English and Italian, including a series of essays on albums, and travel and tourism in late sixteenth-century Italy.
[should also go under ‘material culture’]

Riva, Giuseppe. 1926. Corredi di una sposa lombarda e di spose venete nei secoli XV e XVI. Milan.

Roberts, S. G. and Ritchie, L. A. 1990. ‘Records of British business and industry 1760-1914: textiles and leather’, Textile History, 21(2), 245-249.

Gives an overview of the types of archival sources available for the textile, clothing and leather industry in Britain 1760-1914, as collated by the National Register of Archives.

Rosie, A. 2005. "... The bailful buik of buried bodies ...": the Register of Testaments as a source for the history of costume, Bulletin of the Costume Society of Scotland, 45, 9-12.

Testaments are legal documents in Scotland drawn up to enable the court to confirm the executors for deceased persons' estates and they may include an inventory of possessions and goods of the deceased. They date from the early sixteenth century to 1823 and have now been digitized, and can be searched by profession as well as name.

Rossini, E. 1961. ‘Gli statuti veronesi dell’arte dei Sarti’. In Nova Historia, I, pp. 23-40.

Rothstein, N., ed. 1987. Barbara Johnson’s Album of Fashions and Fabrics. London, Thames and Hudson with Victoria and Albert Museum.


Satchell, J. E., Glover, J. M., et al. 1990. ‘The Kendal pattern book’, Textile History, 21(2), 223-243.

Describes in detail a book of fabric samples dating to the late eighteenth century. Many of fabrics are of mixed materials with linen, cotton, and occasionally silk combined with wool. The findings of technical analysis (including dye analysis) of yarn samples taken from a range of the fabrics are discussed. The conservation of the pattern book is also described.

Saunders, A. S. 2003. ‘‘A Cloke not made so Orderly’: the sixteenth century minutes of the Merchant Taylors’ Company’, The Ricardian, XIII, 415-419.

The author reviews the earliest court minutes of the Merchant Taylors’ Company in London and comments on some of the few references they contain to garments from the 1560s and 1570s.

Scarabelli Zunti, E., ed. 1869. Statuta artis merzadrorum (communis Parmae). Parma.

Scarfe, N. and Wilson, R. 1992. ‘Norwich’s textile industry in 1784, observed by Maximilien de Lazowski. Edited and translated by Norman Scarfe’, Textile History, 23(1), 113-120.

From the ‘Documents and Sources’ section of Textile History. Translation of an account written by Maximilien de Lazowski, a visitor touring around Norfolk in 1784.

Scarisbrick, D. 1991. ‘Anne of Denmark’s jewellery inventory’, Archaeologia, 109, 193-238.

Discussion of the jewellery inventory of Anne of Denmark, wife of James I of England.

Shrimpton, J. 1995. ‘The National Portrait Gallery Heinz Archive and Library, Orange Street, London WC2’, Costume, 29, 93-100.

Describes resources in this archive that may be of interest to dress historians.

Schorta, R. 1991. ‘“Il trattato della seta”. A Florentine XVth Century Treatise on Silk Manufacturing’. In Bulletin du CIETA, 69.

Smith, D. M. 1994. A Guide to the Archives of the Company of Merchant Taylors in the City of York. York, Borthwick Institute of Historical Research.

Snook, E. 2007. ‘The greatness in clothes: fashioning subjectivity in Mary Wroth’s Urania and Margaret Spencer’s Account Book (BL Add. MS 62092)’, The Seventeenth Century, XXII(2), 225-259.

Examines the relationship of seventeenth-century women to their clothing.

Sorbelli, Albano. 1904. Il corredo di una sposa bolognese nel secolo XVI. Bologna: Stabilimento Tipografico Zamorani e Albertazzi.

Spufford, M. 2000. ‘The cost of apparel in seventeenth-century England and the accuracy of Gregory King’, Economic History Review, 53(4), 677-705.

Staniland, K. 2005. Samuel Pepys and his wardrobe, Costume, 39, 53-63.

A discussion of the clothes worn by Samuel Pepys from 1660 on. On June 27, 1660, Pepys had been promoted to the post of Clerk of Acts, that is Secretary, to the Navy Board. Launching himself into this new life, Pepys was initially prudent in his spending. He occasionally replenished his wardrobe, acquiring new shirts, hats, gloves and caps, but his spending was modest. Staniland goes on to quote extensively from Pepys's diary on topics such as his silk suit, velvet coat made for the coronation of Charles II in April 1661, his decision to wear a muff in November 1662, and his uncertainty as to whether he should wear a wig or not.

Starkey, D., ed. 1998-9. The Inventory of King Henry VIII. London, Harvey Miller for the Society of Antiquaries of London.

Three volumes. Full transcript of the 1547 inventory taken after Henry VIII's death.

Stern, E. 1981. Peckover and Gallyard: two sixteenth-century Norfolk tailors, Costume, 15, 13-23.

Tailors' bills and purchases of materials from household accounts of the Stiffkey Bacons for 1587-97.

Stewart, I. 1988. ‘Betsy Sheridan’s journal and her attitude to fashion’, Costume, 22, 39-43.

Short article which considers extracts from the letters of Elizabeth (‘Betsy’) Sheridan, the younger sister of Richard Brinsley Sheridan.

Stobart, J. 1998. Textile industries in north-west England in the early eighteenth century: a geographical approach, Textile History, 29(1), 3-18.

Drawing on evidence derived from probate records, Stobart discusses the relationship between urban and rural areas in the textile industry. The strong rural focus on production throughout this region--mainly in weaving and spinning--and the rural dominance of manufacturing in all subregions offers strong evidence for the sort of "bottom-up" growth (drawing on traditional skills and a large and willing base of rural labor) that is suggested by protoindustrial theory. However, the important role played by the urban system in the finishing process and specifically the marketing and putting-out of textiles denies the subservient position attributed to it in this model. Although the picture that emerges is that of a network of towns that combined production from surrounding areas into an economic system based on the staple export of cloth, specialization according to cloth type cut across the protoindustrial interdependencies and undermined any uniformity in the relationship between town and country, with the particular role of each varying from place to place.

Sykas, P. A. 2001. ‘The North West pattern book survey’, Textile History, 32(2), 156-174.

Describes a survey of pattern books in the collections of museums, libraries, record offices and educational institutions in the North West of England. The material surveyed includes pattern books from the later eighteenth to the later nineteenth century.


Tarrant, N. E. A. 2005. What the papers say: a glimpse into The Edinburgh Advertiser for January 1787, Bulletin of the Costume Society of Scotland, 45, 12-15.

This article contains a brief look at the range of material which mentions clothes and textiles in one of the leading Scottish newspapers.

Tesauro, Alessandro. 1585. Della sereide d’Alessandro Tessauro. Alle nobili et virtuose donne. Libri II. Turin.

Thompson, K. and Halliwell, M. 2007. Who put the text in textiles? Deciphering text hidden within a 1718 coverlet: documentation of papers hidden within an early 18th-century coverlet using transmitted light photography. In: M. Hayward and E. Kramer, eds. Textiles and Text: Re-Establishing the Links between Archival and Object-Based Research. Postprints of Third Annual Conference of AHRC Research Centre for Textile Conservation and Textile Studies, 2005, London, Archetype, 237-243.

Transmitted light photography has been used to record papers concealed within an 18th-century coverlet. The coverlet, which is made from fabric blocks pieced over paper templates, still has the papers inside it. Glimpses of exposed papers through damaged fabrics showed that they have manuscript and printed text on them. They provide a rare source that could yield information about the makers, the people who owned it, or those for whom the coverlet was made. The aim of this research has been to reveal and document this hidden layer.

Thomson, T., ed. 1815. A Collection of Inventories and Other Records in the Royal Wardrobe and Jewelhouse and of the Artillery and Munitions in Some of the Royal Castles. Edinburgh.

Trugillo, Tomàs. 1610. Delle pompe ò vero degli abusi del vestire. Discorsi varii raccolti dalla Sacra Scrittura, e da diversi Auttori. Venice: Gio. Battist. Ciotti.

Tucci, Ugo, ed. 1957. Lettres d’un marchand vénitien. Andrea Berengo (1553-1556). Paris: S.E.V.P.E.N.

Turner, H. L. 2002. Finding the Sheldon weavers: Richard Hyckes and the Barcheston Tapestry Works reconsidered, Textile History, 33(2), 137-161.

Various sources never previously used allow for a fresh interpretation of the Barcheston Tapestry Works and the men behind it. When this tapestry manufactory was established by the will of William Sheldon in Barcheston, England, in 1570, its director was Richard Hyckes, who later heads the list of the workers in the royal repair shop within the Great Wardrobe for the years 1584-88. However, documentary sources demonstrate that Hyckes had already been Queen Elizabeth's arrasmaker, head of that repair shop, from January 24, 1569. Moreover, contrary to assumptions based on gossip, contemporary independent evidence shows that Hyckes was not English but Flemish because that department was staffed, as it had long been, largely by Flemish workmen. Turner examines the sources available, Hyckes position in the Wardrobe, the early days of the tapestry works, Sheldon's will, the connections between a number or royal arrasworkers with the tapestry works, and the roles of Hyckes and his son, Francis, as directors of the manufactory.

Vaccari, Maria Grazia, ed. 1997. La Guardaroba medicea dell’Archivio di Stato di Firenze. Florence: Regione Toscana, Giunta Regionale.

Vasselli, L. 1993. ‘La seta a Trieste. Testimonianze da archivi’. In Atti e memorie della Società Istriana di archeologia e storia patria. Triest: Società Istriana, pp. 87-109.

Vitali, Achille. 1992. La moda a Venezia attraverso i secoli: lessico ragionato. Venice: Filippi Editore.

This is a dictionary of terminology relating to Venetian clothing and fashion which covers the whole of the early modern period.

Wardle, P. 1994. The King's embroiderer: Edmund Harrison (1590-1667): Part I, Textile History, 25(1), 29-59.

Part 1 of a two-part study of the life and work of Edmund Harrison, a leading embroiderer of the 17th century, treats Harrison's life and his position in society. As a royal embroiderer at the courts of both James I and Charles II, Harrison's career is proof that embroidery in England was far from an amateur pursuit. Part 1 comprises sections on Harrison's origins and early career; duties as the king's embroiderer; marriage and family connections; activities during the English Civil War, Interregnum, and Restoration; assets, debts, and bequests; and family and home life. Appendices include a list of items acquired by Harrison from the sale of Charles I's goods and Harrison's last will and inventory.

Wardle, P. 1995. The King's embroiderer: Edmund Harrison (1590-1667): Part II, Textile History, 26(2), 139-185.

Edmund Harrison (1590-1667), known as the King's Embroiderer, was a member of the Great Wardrobe, a branch of the King's civil service. He worked under James I, Charles I, and Charles II, and his responsibilities included procuring materials, designing patterns, and running the embroidery workshops, which not only produced new work, but repaired and restored older work as well. Among the work produced by Harrison was work for the Master of the Robes (the King's clothes, armorial work, and masque costumes), work for the Great Wardrobe (the stables, bed hangings, cloths of state, barge cloths, heralds' tabards and liveries, banners and standards, the Order of the Garter, covers for bibles and prayer books, and ecclesiastical embroidery), and work for private patrons (the Corby Castle Pictures and the Sandys of the Vyne Chapel embroideries).

Wardle, P. 2001. John Shepley (1575-1631), embroiderer to the high and mighty Prince Charles, Prince of Wales, Textile History, 32(2), 133-155.

John Shepley became the King's Embroiderer in reversion in 1607 and became King's Embroiderer jointly with Edmund Harrison in 1621 while retaining his position as embroiderer to the Prince of Wales. Charles I made Harrison the King's Embroiderer in 1625, even though Shepley continued to work for Charles. Shepley's accounts show records for embroidering such items as a Cloth of State, hangings, velvet coats for watchmen, and garters for the Order of the Garter. The fashionable embroidery for men's apparel was subtle and usually sewn in the same colour as the background fabric. Shepley also embroidered costumes for masques, velvet cabinet coverings, horse harnesses and reins, saddle pads, and complete tilting contest outfits for the prince and his entourage. The bills for the tilting outfits also included charges for candles, glue, paper and ink for drawing patterns, nails for embroidery frames, and wages for 64 embroiderers.

Wardle, P. and Renting, A.-D. 2002. For our Royal Person: Master of the Robes - Bills of King-Stadholder William III. Apeldoorn, Paleis Het Loo National Museum.

Published by Paleis Het Loo National Museum on the occasion of the tercentenary of the death of William III. The great parchment warrant of 1700-1701, transcribed and edited by A.-D. Renting.

Weatherill, L. 1991. ‘Consumer behavior: textiles and dress in the late seventeenth and early eighteenth centuries’, Textile History, 22(2), 297-310.

Includes a discussion of the evidence offered by household accounts and probate inventories.

Williams, N. J. 1952. ‘Two documents concerning the new draperies’, Economic History Review, IV, 353-355.

Zalin, G. 1988. ‘Don Nicola Mazza e l’arte di fare seta. Annotazioni sulla base di nuovi documenti’. In Nuova rivista storica, 72, V-VI, pp. 599-628.

Zorzi, L. 1974. ‘Nota alle illustrazioni. Costumi e scene italiani: il codice Bottacin di Padova’. In Storia d’Italia II. Dalla caduta dell’impero romano al secolo XVIII. Turin: Einaudi.

Contains the Codice Bottacin, Museo Bottacin, ms 970. This codex contains 33 colour plates depicting figures from various Italian social classes, in particular from the Veneto region, dated to 1616 and by the hand of a Flemish student.



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